- Country Austria
- Genres Crime, Documentary, News, Reality
- Runtime 90 minutes
- Total runtime 921 hours
- Status Continuing
- Network ZDF
-
External links
TheTVDB page
IMDB page
TheMovieDB page -
Last update
16 mars 2025 - 06:44
on 11 databases
Aktenzeichen XY ... ungeloest
Aktenzeichen XY … ungelöst (German for "Case number XY … Unsolved") is an interactive German television programme first broadcast on 20 October 1967 on ZDF. Created by Eduard Zimmermann, it aims to combat and solve crimes. The programme is currently presented by Rudi Cerne. It airs monthly, with 12 episodes in a year, on Wednesday at 8:15 PM.
Until 2003 it was produced in co-operation with the Austrian public service broadcaster ORF and Schweizer Fernsehen, a division of the Swiss public broadcaster SRG SSR.
The programme was adapted by the BBC as Crimewatch and for the US market as America's Most Wanted. Other adaptions aired in Canada, Poland, Hungary and New Zealand.
The goal of the programme is to throw light on unsolved offences with the aid of viewers. Each episode contains three to five short films, each lasting about ten minutes, in which a real criminal case is reconstructed. The cases are mostly complex ones in which the criminals and chains of events are still unknown. In addition cases are discussed in the studio in which, for example, the identities of criminals or unknown murder victims are sought with the aid of a photo. Viewers can use the telephone or Internet to give information. According to a study by the programme's editorial department, about forty percent of cases shown on the programme are solved. (Wikipedia)
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
