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  • BIRTH 27/06/1878
  • DEATH 23/06/1937
  • Country United States
  • SCRIPT 38

H.M. Walker

WALKER, H.M. (Harley Marquis Walker) started as a telegrapher, tapping out the descriptions of sportswriters at boxing matches and sending them to the offices of their newspapers. In 1903 he became a sportswriter himself and wrote a column, “The Wisdom of Blinkey Ben,” for the Los Angeles Examiner before joining Roach in 1917 as a part-time scenario and title writer for Harold Lloyd. In 1920, he left newspaper work and joined Roach full time as head of the editorial department. A brilliant title writer in the silent era, Walker was less skilled at dialogue; he was credited for providing these elements on more than 350 Roach comedies. He usually came up with the title for each film and also wrote fairly severe critiques after each preview. After leaving Roach in 1932 he wrote dialogue for some features, including Son of a Sailor (1933) with Joe E. Brown, W.C. Fields’ The Old Fashioned Way (1934), and the ZaSu Pitts picture Affair of Susan (1935). Walker died in the home of his good friend Leroy Shield, who had written scores at the Roach lot in 1930 and ’31. Died June 23, 1937, Chicago, Illinois, age 58; of a heart attack.

From Wikipedia, the free encyclopedia

Harley M. "Beanie" Walker (June 27, 1878 – June 23, 1937) was a member of the Hal Roach movie production company from 1916 until his resignation in 1932. The title cards he wrote for Harold Lloyd, Charley Chase, Our Gang and Laurel and Hardy comedies "have entered legend, both for silent films, and as opening remarks for the earlier talkies." He was also an officer of the Roach Studio corporation.

On Roach's "Lot of Fun", script development usually started with meetings among the gag men, who would develop what was known as an "action script": the outline of the story and a description of the scenes and some of the sight gags, which generally would run three to six legal-size pages. This document would then pass to Walker, the head of the editorial department, which oversaw not only script editing, but film editing as well. Walker usually came up with the title of each film, wrote "brilliantly witty" title cards which would be produced and inserted into the film, and wrote a critique before the picture went out to the distributors, Pathé Exchange, or later, M-G-M.

Walker's writing did not transition well to talkies and by 1931 he had left Roach studio and wrote dialogue for comedies produced by ex-Roach general manager Warren Doane at Universal Pictures. Later, he worked at Paramount Pictures, where he contributed to the W. C. Fields picture The Old Fashioned Way (1934).

H.M. Walker

Script (38)

Never Weaken
Never Weaken
Wide Open Spaces
Wide Open Spaces
Sugar Daddies
Sugar Daddies
Black Cyclone
Black Cyclone
Be Big!
Be Big!
The Chimp
The Chimp
Liberty
Liberty
Early to Bed
Early to Bed
Their Purple Moment
Their Purple Moment
From Soup to Nuts
From Soup to Nuts
Should Married Men Go Home?
Should Married Men Go Home?
Double Whoopee
Double Whoopee
Any Old Port!
Any Old Port!
Beau Hunks
Beau Hunks
Men O' War
Men O' War
The Finishing Touch
The Finishing Touch
Putting Pants on Philip
Putting Pants on Philip
Bliss
Bliss
Them Thar Hills
Them Thar Hills
Scram!
Scram!
Wrong Again
Wrong Again
Politiquerías
Politiquerías
Shiver My Timbers
Shiver My Timbers
All Aboard
All Aboard
County Hospital
County Hospital
Haunted Spooks
Haunted Spooks
Grandma's Boy
Grandma's Boy
Night Owls
Night Owls
Le joueur de golf
Le joueur de golf
The Laurel-Hardy Murder Case
The Laurel-Hardy Murder Case
Sailors, Beware!
Sailors, Beware!
The Music Box
The Music Box
Hog Wild
Hog Wild
Pack Up Your Troubles
Pack Up Your Troubles
Big Business
Big Business
Bumping Into Broadway
Bumping Into Broadway
Les Carottiers
Les Carottiers
You're Darn Tootin'
You're Darn Tootin'