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  • BIRTH 23/03/1910
  • DEATH 06/09/1998
  • Country Japan
  • MOVIES 3
  • DIRECTOR 31
  • SCRIPT 39
  • PRODUCTION 8

Akira Kurosawa

Akira Kurosawa (黒澤 明) was a Japanese filmmaker and painter who directed thirty films in a career spanning over five decades. He is widely regarded as one of the greatest and most influential filmmakers in the history of cinema. He displayed a bold, dynamic style, strongly influenced by Western cinema yet distinct from it; he was involved with all aspects of film production. Kurosawa entered the Japanese film industry in 1936, following a brief stint as a painter. After years of working on numerous films as an assistant director and scriptwriter, he made his debut as a director during World War II with the popular action film Sanshiro Sugata (1943). After the war, the critically acclaimed Drunken Angel (1948), in which Kurosawa cast the then little-known actor Toshiro Mifune in a starring role, cemented the director's reputation as one of the most important young filmmakers in Japan. The two men would go on to collaborate on another fifteen films. Rashomon (1950), which premiered in Tokyo, became the surprise winner of the Golden Lion at the 1951 Venice Film Festival. The commercial and critical success of that film opened up Western film markets for the first time to the products of the Japanese film industry, which in turn led to international recognition for other Japanese filmmakers. Kurosawa directed approximately one film per year throughout the 1950s and early 1960s, including a number of highly regarded (and often adapted) films, such as Ikiru (1952), Seven Samurai (1954), Throne of Blood (1957), Yojimbo (1961) and High and Low (1963). After the 1960s he became much less prolific; even so, his later work—including two of his final films, Kagemusha (1980) and Ran (1985)—continued to receive great acclaim. In 1990, he accepted the Academy Award for Lifetime Achievement. Posthumously, he was named Asian of the Century in the Arts, Literature, and Culture category by AsianWeek magazine and CNN, cited there as being among the five people who most prominently contributed to the improvement of Asia in the 20th century. His career has been honored by many retrospectives, critical studies and biographies in both print and video, and by releases in many consumer media.

Akira Kurosawa

Movies (3)

Director (31)

七人の侍
七人の侍
生きる
生きる
羅生門
羅生門
蜘蛛巣城
蜘蛛巣城
用心棒
用心棒
影武者
影武者
天国と地獄
天国と地獄
隠し砦の三悪人
隠し砦の三悪人
Дерсу Узала
Дерсу Узала
八月の狂詩曲
八月の狂詩曲
虎の尾を踏む男達
虎の尾を踏む男達
椿三十郎
椿三十郎
白痴
白痴
姿三四郎
姿三四郎
野良犬
野良犬
わが青春に悔なし
わが青春に悔なし
素晴らしき日曜日
素晴らしき日曜日
一番美しく
一番美しく
赤ひげ
赤ひげ
酔いどれ天使
酔いどれ天使
續 姿三四郎
續 姿三四郎
静かなる決闘
静かなる決闘
どん底
どん底
まあだだよ
まあだだよ
悪い奴ほどよく眠る
悪い奴ほどよく眠る
醜聞
醜聞
生きものの記録
生きものの記録
どですかでん
どですかでん
明日を創る人々
明日を創る人々

Script (39)

七人の侍
七人の侍
生きる
生きる
羅生門
羅生門
蜘蛛巣城
蜘蛛巣城
用心棒
用心棒
雨あがる
雨あがる
天国と地獄
天国と地獄
影武者
影武者
八月の狂詩曲
八月の狂詩曲
白痴
白痴
虎の尾を踏む男達
虎の尾を踏む男達
隠し砦の三悪人
隠し砦の三悪人
椿三十郎
椿三十郎
Дерсу Узала
Дерсу Узала
續 姿三四郎
續 姿三四郎
素晴らしき日曜日
素晴らしき日曜日
わが青春に悔なし
わが青春に悔なし
一番美しく
一番美しく
赤ひげ
赤ひげ
姿三四郎
姿三四郎
酔いどれ天使
酔いどれ天使
野良犬
野良犬
椿三十郎
椿三十郎
海は見ていた
海は見ていた
銀嶺の果て
銀嶺の果て
どら平太
どら平太
ジャコ萬と鉄
ジャコ萬と鉄
翼の凱歌
翼の凱歌
生きものの記録
生きものの記録
姿三四郎
姿三四郎
静かなる決闘
静かなる決闘
どですかでん
どですかでん
まあだだよ
まあだだよ
悪い奴ほどよく眠る
悪い奴ほどよく眠る
どん底
どん底
醜聞
醜聞

Production (8)

蜘蛛巣城
蜘蛛巣城
用心棒
用心棒
影武者
影武者
隠し砦の三悪人
隠し砦の三悪人
どですかでん
どですかでん
どん底
どん底
悪い奴ほどよく眠る
悪い奴ほどよく眠る
姿三四郎
姿三四郎