Site d'Emma : https://www.emma.fr/?utm_source=youtube&utm_medium=influencer&utm_campaign=DidiChandouidoui&utm_code=DIDI10
Offre Black Friday : 50% sur tout le site, cumulable avec le Code Promo DIDI10.
Merci à @Sy_Play pour les voix-off, à Clémence pour avoir porté le masque de MJ, à Fleckaben pour l'armure de Lancelot verte (https://twitter.com/FLECKABEN) et à Xoune pour tu sais quoi.
? LEGENDEX, mon application d'explorations insolites :
? ANDROID ▸ http://bit.ly/344VnMx
? iOS ▸ https://apple.co/2XPRVpt
? Les Sombres Énigmes de France : https://amzn.to/3MEsxs2
? Ma chaîne sur LOST : https://bit.ly/3bupfUU
? Me faire un coucou : https://www.twitter.com/didichandouidou
? Quelques liens intéressants et sources :
Hot Ones : https://youtu.be/YyalpipMTO0?si=yOlqpliOdw_hWodf
Ciné Concert : https://youtu.be/IqUI5-wwcSA?si=C7mfhGRi-BVIrPsO
Kaamelott Store : https://kaamelott.store/
Interview sur Excalibur : https://www.allocine.fr/article/fichearticle_gen_carticle=18707548.html
Interview sur le Père Blaise : https://hitek.fr/actualite/kaamelott-premier-volet-alexandre-astier-arthur-pere-blaise-cinema-film_31861
Interview sur le costume de Lancelot : http://capitainecinemaxx.fr/2021/08/01/kaamelott-premier-volet-entretien-exclusif-avec-la-costumiere-du-film-marylin-fitoussi-avec-ce-costume-lancelot-disparait-derriere-tout-le-charisme-et-le-panache-dun/
? Crédits musiques :
'The Black Waltz' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.au
The Pretender : https://youtu.be/DfYo2pXt5Uo?si=cKmqrc9FUm2ti3nv
KV1 Soundtrack de Alexandre Lamia : https://youtu.be/ChnarChSc60?si=1wxysBK3W3wM-q3i
Nightingale : https://youtu.be/6BlfHeist6w?si=WTj-oMnfquqniDaA
Abyss : https://youtu.be/I0HOZ-Z0LYA?si=l2HFZ6jO6y5xFQpT
Little Nightmares : https://youtu.be/OEkWB3Xv0gk?si=YcoFm0GLB2lHQOlO
Damnit : https://youtu.be/JpQRxmPUirk?si=TvfAkfM2Jad4cj-8
Kaamelott Themes de Alexandre Lamia : https://youtu.be/28p1RArVPno?si=26l50TL7_YRyCfXH
Diary of Jane : https://youtu.be/Wu81wvRqOJY?si=aHjkDn_1kwffaN1I
Ultra Instinct : https://youtu.be/FOIRQB1DwZs?si=rR4nB2E4_ZJLl70I
Leo Magnus Rex : https://youtu.be/ahhwz5kUe9A?si=T-fR6CH3SDx01XJB
Kaamelott Cover de Kevin Queille :https://youtu.be/HY-grCYl4Xk?si=942IWE3SEGI9Arr1
? Sommaire de la vidéo :
00:00 - Collaboration Emma
01:23 - Introduction
02:04 - Les Origines de Perceval
04:09 - La Nature du Graal
05:52 - L'Infécondité d'Arthur
07:47 - Méléagant
09:42 - Le Fantôme de Pendragon
11:32 - Excalibur Noire & les Dieux
13:23 - Aconia
15:10 - La Trahison du Père Blaise
16:41 - L'Armure de Lancelot
18:31 - Les personnages disparus
20:27 - Conclusion
In the vast landscape of television series, few shows manage to carve out a niche as distinctively as "ValWho Artworks." This remarkable series takes viewers on a journey through the mind of an erstwhile mediocre filmmaker who has transformed into a talented yet underrated voice in film and television critique. With its unique premise, engaging content, and relatable humor, "ValWho Artworks" is not just another show; it’s an experience waiting to be discovered.
The beauty of "ValWho Artworks" lies in its ability to merge critical analysis with the joy of cinema and television. Each episode serves up insightful critiques that provoke thought while maintaining an entertaining tone. Val's journey begins with his review of Jurassic World in Episode 1, where he tackles expectations versus reality with a witty flair. His candid approach encourages viewers to engage actively—asking them to comment on their own opinions and experiences with the films discussed. This interaction creates a community feel among fans who share their thoughts on various cinematic gems.
As we delve deeper into the episodes, we find Val tackling diverse subjects ranging from hip-hop biopics like "Straight Outta Compton" to sci-fi masterpieces such as Ridley Scott's "The Martian." In Episode 2, Val pays homage to N.W.A., exploring how they shaped the gangsta rap genre while inviting viewers to dive into their music through linked videos. This connection between film reviews and music establishes an enriching context for each critique—making it more than just about movies but rather about culture itself.