- Original release
- Previous episode S2017E168 - The Richest Scot in the Empire
- Number S2017E169
- Genre Documentary
-
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12 juin 2024 - 05:36
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Melvyn Bragg on TV: The Box That Changed the World
In this two-hour special event filmed at BAFTA, Melvyn Bragg is joined by some of TV's key figures from the last 60 years to look at the extraordinary impact British television has made since its first great unifying moment, the coronation of Queen Elizabeth II. Through a series of archive-based films and studio discussions, Bragg and his guests examine the way TV has brought the world to us and the extent to which our television has both defined us and reflected who we are as a nation.
The first film looks at the impact of TV in showing us all aspects of our planet and beyond, from history to humour, science to culture, the depths of the ocean to the surface of the moon. Joining Melvyn to discuss the scale of the TV revolution are historian and broadcaster David Olusoga and writer and broadcaster Joan Bakewell. The second film looks at the way early producers chose to represent British identity on TV and to what extent the themes that dominated the screen in TV's early years remain prevalent today. Former Channel 4 head Michael Grade and Foyle's War creator Anthony Horowitz join Melvyn, alongside Joan Bakewell. The third film looks at how successful TV has been in keeping pace with a changing Britain from its portrayal of social and regional issues to its treatment of women and diversity. Film director Ken Loach, broadcaster, writer and former politician Trevor Phillips and screenwriter Abi Morgan join Melvyn in the studio to discuss the issues raised. The fourth film examines some of the ways in which TV has challenged authority through forthright interviews, investigative journalism and satire. Melvyn discusses the points raised with Spitting Image creator John Lloyd, former politician Ed Balls and broadcaster Martha Kearney. The fifth film looks at the way TV has reported war and natural disaster from the early days when it took a week for rolls of film to be flown back to base to the instant, 24 hour news to which we have become accustomed today. The BBC
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